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Museum Island, Berlin

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    The Museum Island, Berlin

    The Museum Island in Berlin, Germany is placed on the northern half of an island in the Spree River in central Berlin and a main tourist attraction of the city (Stiftung Preußischer Kulturbesitz, 2014a).

    Museum Island Berlin (Glimpse into the future, 3D model); Copyright: Prussian Cultural Heritage Foundation /ART+COM

    The Museum Island (Jaeger, 2010)

    The complex consists of five museums which were built by renowned Prussian architects, like Karl Friedrich Schinkel, between 1824 and 1930 (World Heritage Convention (WHC), 2014a). The Old Museum is the oldest one, built in 1830, followed by the New Museum which was finished in 1859 and Old National Gallery, completed in 1876. The Bode Museum is the second newest one which opened in 1904 and due to its special architecture and place at the northern tip of the island it can be argued that it is the most known one. The newest museum is the Pergamon Museum, opened in 1930. The architecture of each of the museum is designed in order to connect to the art is houses. All of the collections witness the evolution of the human civilisation and range from Egyptian artefacts over sculptures collections and late Antique and Byzantine art to various historically important paintings. (Stiftung Preußischer Kulturbesitz, 2014b) 

    The Bode Museum (WHC, 2014a)

     

    The Museum Island is a remarkable and unique example of an ensemble of different museums, which is why in 1999 it has been listed as a World Heritage Site by the UNESCO. Not only because it is designated to the Age of Enlightment, but also because it shows the development of modern museum design over more than a century. It provides extraordinary historical and artistic importance in an urban setting, while being a town-planning highlight located directly in the centre of Berlin, the German capital. (WHC, 2014a)

     

    Managerial Challenges

    Due to its age, preservation and conservation are the main managerial challenges of the Museum Island. During the Second World War, some of the buildings have been damaged, followed by a time that lacked maintaining the buildings during the DDR (Jaeger, 2010). However, the Stiftung Preußischer Kulturbesitz has achieved to develop a “Masterplan” for future conservation and renovation (Stiftung Preußischer Kulturbesitz, 2014a). According to the WHC (2014b) and to Jaeger (2010), this makes the Museum Island a good example of how heritage sites can deal with managerial issues. The plan includes an emphasis on retaining authenticity and aims to ensure the maintenance of the high quality of the buildings, as well as inhabited collections (WHC, 2014b).

    However, conservation and renovation involve great amounts of money as well as cooperation between different levels of stakeholders (Aas, Ladkin & Fletcher, 2005). The WHC (2014a) states that “[The] Management of the Museumsinsel- its buildings and its collections - is carried out jointly by the Prussian Cultural Heritage Foundation and the State Museums of Berlin (Stiftung Preußischer Kulturbesitz – SPK/Staatliche Museen zu Berlin – SMB), which ensure that the property’s qualities are maintained. They cooperate with other partners to whom they delegate specialised preservation activities. “ Nevertheless, this also provides a risk, as the more stakeholder involved, the greater the managerial challenges to incorporate everyone´s needs and wishes (Heldt Cassel & Pashkevich, 2011). Moreover, the issue of power relations evolves, when stakeholder from different public and private levels cooperate (Heldt Cassel & Pashkevich, 2011). Besides this, no central challenges are face currently by the Museum Island (WHC, 2014b). The site managers developed a well-functioning evaluation and monitoring system, implemented a buffer zone around the site and there is currently no risk of exceeding the carrying capacity (WHC, 2014b). Just like other heritage sites (Aas, Ladkin & Fletcher, 2005), the communication with the tourism industry can still be improved at the Museum Island in Berlin.

     

    References

    Aas, C., Ladkin, A. & Fletcher, J. (2005) Stakeholder Collaboration and Heritage Management. Annals of Tourism Research, 32 (1), pp. 28-48.

    Heldt Cassel S. & Pashkevich A. (2011) Heritage Tourism and Inherited Institutional Structures: The Case of Falun Great Copper Mountain. Scandinavian Journal of Hospitality and Tourism, 11 (1), pp. 54-75.

    Jaeger, F. (2010) A Remarkable Success Story – the Museum Island in Berlin. [Online] Available from: http://www.goethe.de/ins/al/tir/kuen.../en5611226.htm [Accessed 14/11/14]

    Stiftung Preußischer Kulturbesitz (2014a) Masterplan Museumsinsel – Projektion Zukunft. [Online] Available from: http://www.museumsinsel-berlin.de/ma...ktion-zukunft/ [Accessed 14/11/13].

    Stiftung Preußischer Kulturbesitz (2014b) Museums and institutions. [Online] Available from: http://www.smb.museum/en/museums-and...titutions.html [Accessed 14/11/13].

    World Heritage Convention (2014a) Museumsinsel (Museum Island), Berlin. [Online] Available from: http://whc.unesco.org/en/list/896/ [Accessed 14/11/13].

    World Heritage Convention (2014b) Periodic Report - Section II - Museumsinsel (Museum Island), Berlin. [Online] Available from: http://whc.unesco.org/en/list/896/ [Accessed 14/11/13].

     

    Written by Merle Zager

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